GHIRLANDAIO, DomenicoItalian Early Renaissance Painter, 1449-1494 | |||
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Herod-s Banquet Måleriet identifieringen:: 52597 Titta min galleri i Sverige |
Herod-s Banquet 1486-90 Fresco Cappella Tornabuoni 1486-90_Fresco_Cappella_Tornabuoni |
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An old man with a boy's portrait Måleriet identifieringen:: 57234 Titta min galleri i Sverige |
An old man with a boy's portrait mk255 for in 1490. Plastic paint dye, Yang wood 0.62 meters high, 0.46 meters wide. Paris, the Louvre mk255_for_in_1490._Plastic_paint_dye,_Yang_wood_0.62_meters_high,_0.46_meters_wide._Paris,_the_Louvre |
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Madonna and Child Enthroned with Saints Måleriet identifieringen:: 62995 Titta min galleri i Sverige |
Madonna and Child Enthroned with Saints 1483 Tempera on wood Galleria degli Uffizi, Florence This detail of a flower vase on a colourful carpet could be taken from a Flemish panel painting if it were painted using the oil technique developed there rather than tempera, which Ghirlandaio used. In this detail, the artist creates a positive frenzy of colours and forms to enliven the picture. Artist: GHIRLANDAIO, Domenico Painting Title: Madonna and Child Enthroned with Saints (detail) , 1451-1500 Painting Style: Italian , , still-life 1483_Tempera_on_wood_Galleria_degli_Uffizi,_Florence_This_detail_of_a_flower_vase_on_a_colourful_carpet_could_be_taken_from_a_Flemish_panel_painting_if_it_were_painted_using_the_oil_technique_developed_there_rather_than_tempera,_which_Ghirlandaio_used._In_this_detail,_the_artist_creates_a_positive_frenzy_of_colours_and_forms_to_enliven_the_picture.__Artist:_GHIRLANDAIO,_Domenico_Painting_Title:_Madonna_and_Child_Enthroned_with_Saints_(detail)_,__1451-1500_Painting_Style:_Italian_,_,__still-life |
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Coronation of the Virgin Måleriet identifieringen:: 62997 Titta min galleri i Sverige |
Coronation of the Virgin 1486 Tempera on wood Pinacoteca Comunale, Citta di Castello The Coronation in Citt?di Castello is untypical of Ghirlandaio because of its limited palette: its impact is derived primarily from the contrast of various shades of blue and red with a few yellow highlights. In contrast with the old-fashioned picture in Narni, only the female saints in the centre are kneeling; three holy men are standing on each side of them. This emphasizes the circular glory composed of airy shades of blue, giving the work a dynamic and animated character. The saints on this picture are mainly ones from the Franciscan order. On the far left stands the founder of the order, St Francis of Assisi. This altarpiece is not an autographed work, it was probably made by the workshop. Artist: GHIRLANDAIO, Domenico Painting Title: Coronation of the Virgin , 1451-1500 Painting Style: Italian , , religious 1486_Tempera_on_wood_Pinacoteca_Comunale,_Citta_di_Castello_The_Coronation_in_Citt?di_Castello_is_untypical_of_Ghirlandaio_because_of_its_limited_palette:_its_impact_is_derived_primarily_from_the_contrast_of_various_shades_of_blue_and_red_with_a_few_yellow_highlights._In_contrast_with_the_old-fashioned_picture_in_Narni,_only_the_female_saints_in_the_centre_are_kneeling;_three_holy_men_are_standing_on_each_side_of_them._This_emphasizes_the_circular_glory_composed_of_airy_shades_of_blue,_giving_the_work_a_dynamic_and_animated_character._The_saints_on_this_picture_are_mainly_ones_from_the_Franciscan_order._On_the_far_left_stands_the_founder_of_the_order,_St_Francis_of_Assisi._This_altarpiece_is_not_an_autographed_work,_it_was_probably_made_by_the_workshop.__Artist:_GHIRLANDAIO,_Domenico_Painting_Title:_Coronation_of_the_Virgin_,__1451-1500_Painting_Style:_Italian_,_,__religious |
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Announcement of Death to St Fina Måleriet identifieringen:: 63000 Titta min galleri i Sverige |
Announcement of Death to St Fina 1473-75 Fresco Colleggiata, San Gimignano Next to the shining bowl is an almost empty decanter, covered by an inverted glass to protect the valuable wine. As the artist repeated both vessels in his later frescoes of the Last Supper, it is possible that they a reference to the sacrament of Holy Communion. The character of the objects, so like a still life, is an approximation to Flemish paintings, though Ghirlandaio has not yet achieved a Flemish materiality in his work. On the far right, two pomegranates are lying on a box; they may be references to the Fall of Man in the Garden of Eden. Saint Fina did not attempt to gain the biblical forbidden fruits and will therefore be made a saint. Is it possible that the large split on one of the fruits is an allusion to the bodily decay of the saint, which the artist did not dare depict in all its gruesomeness? On a framed panel on the rear wall are the Latin words that St Gregory spoke to Fina: "Be prepared my daughter, for on my feast day you will be taken up into our community and live there forever with your bridegroom." A window in the rear wall allows air and light to enter the bare room. A picture within a picture, the window appears very much like a landscape painting. The few domestic objects on the bench at the back give the room a home-like quality. Artist: GHIRLANDAIO, Domenico Painting Title: Announcement of Death to St Fina (detail) , 1451-1500 Painting Style: Italian , , religious 1473-75_Fresco_Colleggiata,_San_Gimignano_Next_to_the_shining_bowl_is_an_almost_empty_decanter,_covered_by_an_inverted_glass_to_protect_the_valuable_wine._As_the_artist_repeated_both_vessels_in_his_later_frescoes_of_the_Last_Supper,_it_is_possible_that_they_a_reference_to_the_sacrament_of_Holy_Communion._The_character_of_the_objects,_so_like_a_still_life,_is_an_approximation_to_Flemish_paintings,_though_Ghirlandaio_has_not_yet_achieved_a_Flemish_materiality_in_his_work._On_the_far_right,_two_pomegranates_are_lying_on_a_box;_they_may_be_references_to_the_Fall_of_Man_in_the_Garden_of_Eden._Saint_Fina_did_not_attempt_to_gain_the_biblical_forbidden_fruits_and_will_therefore_be_made_a_saint._Is_it_possible_that_the_large_split_on_one_of_the_fruits_is_an_allusion_to_the_bodily_decay_of_the_saint,_which_the_artist_did_not_dare_depict_in_all_its_gruesomeness?_On_a_framed_panel_on_the_rear_wall_are_the_Latin_words_that_St_Gregory_spoke_to_Fina:_"Be_prepared_my_daughter,_for_on_my_feast_day_you_will_be_taken_up_into_our_community_and_live_there_forever_with_your_bridegroom."_A_window_in_the_rear_wall_allows_air_and_light_to_enter_the_bare_room._A_picture_within_a_picture,_the_window_appears_very_much_like_a_landscape_painting._The_few_domestic_objects_on_the_bench_at_the_back_give_the_room_a_home-like_quality.__Artist:_GHIRLANDAIO,_Domenico_Painting_Title:_Announcement_of_Death_to_St_Fina_(detail)_,__1451-1500_Painting_Style:_Italian_,_,__religious |
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| Föregående Konstnär Nästa Konstnär | ||||||||||
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| GHIRLANDAIO, Domenico | ||||||||||
| Italian Early Renaissance Painter, 1449-1494 | ||||||||||
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